Last Updated: April 06, 2000
Printer-friendly version
Good Writing
Public access projects make great exercises
These endeavors force writers and editors to put readers’
needs first
By Kevin McGrath
Newspapers that contemplate tests of public access laws tend to think
in terms of changing public policy or reforming weak state laws.
But after taking part in two such projects in three years, I can recommend
them for another reason: They force writers and editors to think, report
and write at the readers’ level.
Granted, any good story accomplishes that goal. But public access projects,
properly done, are unique in forcing newspapers to put readers’ needs first.
So much the better for readers and journalists alike.
Even the reporting forces us to change perspective. Journalists who
take part in public access projects aren’t really being journalists — with
their brash self-confidence, deep knowledge of civil procedures and often
guaranteed access to information — when they show up at the county sheriff’s
office or city hall. They’re being citizens. They carry no clout other
than the state law that allows everyone to see public records.
That can be downright scary, especially when the sheriff starts demanding
to know who you are and why you want to see a crime report or jail roster.
So the experience builds that most valuable of commodities: empathy for
the readers.
A journey for readers
These projects also take readers onto largely unfamiliar ground. People
tend to have little day-to-day interest in public records until, for example,
they’re in a car crash, suffer a burglary or want to challenge an annexation
or a zoning change. So they need to be told why they have a stake in the
story.
Here’s how Wichita Eagle writer Hurst Laviana handled that challenge
in the overview for Kansas‚ project, “Public records, private rules:”
Ask for a public record in Kansas, and you’ll probably get what you
want.
But don’t be surprised if your request generates blank stares, suspicious
looks and a demand to provide a lot more information about yourself than
the law requires.
If you want to know what your schools spend on salaries, expect to
be asked why, and who you work for.
If you want to check on a local crime, you may be questioned by police
and you may have to submit to a criminal background check. In Harper County,
you may even be detained if you don’t explain who you are and why you want
to see the crime reports. In several counties, copies will cost $5 a page.
Readers also need to be shown that the story isn’t about journalists,
their self-interest or their opinions about how well public access laws
work. It’s about whether public officials allow citizens to exercise oversight
of their actions. That forces the reporting and writing away from personal
experience and sources within journalism and toward sources that can explain
the role of public records in a free society.
Here’s how the Kansas overview presented the concept:
Many agencies defended their reluctance to disclose information that
Kansas law says is open to every one. Some officials said they withheld
records out of concern for the privacy or safety of those named in the
documents.
Those concerns, while well-intentioned, are rarely warranted and
ultimately threaten the American way of life, say advocates of open government.
The danger, they say, is that citizens will be shut out of the democratic
process.
The Kansas Open Records Act is intended to make sure voters can monitor
elected officials and see how their tax dollars are spent, said Topeka
attorney Brad Smoot, who was in the Kansas attorney general’s office when
the law was enacted.
“It’s an element of democracy, and therefore it’s something that
everyone ought to be interested in,” Smoot said. “You can’t know what your
government is doing unless you have access to that information.”
Some tips on access projects
If you’re willing to put your reporting and writing to such tests and
try an access project, here are a few tips to keep in mind:
-
Remember, you’re not the story. Sure, you have to do the hard work and
write about it, but don’t be lured into thinking your readers care what
happened to a bunch of journalists. They care about themselves and their
interests.
-
For that reason, show readers their stake in what you’ve learned. Are they
endangered without knowing it because they can’t monitor their government’s
actions? How and why? Who can speak to why that’s important to ordinary
folks? Can they or can’t they track how their taxes are being spent? Do
documents show decisions being made in secret?
-
Because you’re not the story, eschew sources within journalism. Especially,
don’t have reporters opine on their experience seeking records. But do
show what citizens could go through if they tried it. In the above example,
you can bet Brad Smoot carries a lot more weight with readers than a J-school
prof who can only lament how the public and press are being shortchanged.
That’s why we interviewed him.
-
Translate your terms, and simplify your language. Many readers won’t know
what you mean by “sunshine laws,” “access,” “binding legal opinions” or
even “public record.” Cast the ideas in their terms, not yours.
-
Equip your readers. Show them how they can do what you’ve done. Show them
ordinary folks who have tried. And tell them how they can prod their legislators
if they want to act.
-
At every step, ask two vital questions: What’s at stake? Why should readers
care? Answer them, and you’ve met the readers’ needs.
Like any good story, public access projects of any size and scope serve
readers best when the writing brings the results of thorough reporting
and deep analysis down to their level. By all means, give it a try. Just
remember to put your readers first.
McGrath is special projects and enterprise editor of The Wichita
(Kan.) Eagle. He can be reached at kmcgrath@wichitaeagle.com
or 316/268-6680